6.0 英语 · 1941 · 美国 · 剧情片
艾达·卢皮诺,亨弗莱·鲍嘉,艾兰·柯蒂斯
空在母亲的催促下租来一辆汽车和一套房子，对女友姗姗说是他自己的财产。第一次跟姗姗回家见父母便得到了两位老人的认可。随后不久，李空便和姗姗开始计划婚期，策划一场浪漫的婚礼。 顾小敏的母亲在相亲节目为女儿报了名，整天在一堆照片里挑来挑去，逼迫女儿去相亲。小敏有时为了应付一下母亲而去与对方见面，结果是一个比一个让她失望。在单位努力工作，可就是得不到领导的认可。校长经常喊她到办公室，关上门后对其动手动脚，小敏奋力反抗。不堪忍受校长对她的骚扰，递交了一份辞职申请，内容便是：世界这么大，我要出去看看。校长再三挽留无果后，同意了小敏的辞职申请。一夜之间小敏的辞职申请被网络疯传，小敏一夜成名。她的短短十一字的辞职申请成为网络名句，辞职后便开始了一场说走就走的旅行。
9.0 英语 · 1948 · 美国 · 剧情片
艾达·卢皮诺,柯纳·王尔德,理查德·威德马克
Novelist Joseph Shearing specialized in using real cases which took place in Victorian England, altering them for fictional purposes. MOSS ROSE in 1947 was the first film to be made from his novels, then in 1948 two of his works were adapted for the screen, this film and THE MARK OF CAIN. The movie stars Todd as a recently widowed missionary returning to her home in England from Jamaica. During the voyage, she meets Milland, a charming though dangerous rascal who is wanted by police in connection with some unsavory dealings. Milland contracts malaria while onboard the ship and Todd nurses him back to health. In London, Todd settles into her home, taking in boarders to make ends meet. Milland arrives, moves in, and proclaims his love for her. Todd is thrilled, but it seems rather obvious that Milland is only toying with her. Milland finds some letters written to her by her friend, Fitzgerald, in which Fitzgerald reveals some of her sexual indiscretions. Since Fitzgerald is now married to the wealthy Huntley, Milland believes he can use the letters to blackmail Fitzgerald. Todd's love for Milland is so great that she goes along with the plan. Huntley, however, learns of the scheme and also uncovers details of Milland's shady past. Fearing for her lover's safety, Todd poisons Huntley, then remains silent when Fitzgerald is arrested for the murder. Milland has by now genuinely fallen in love with Todd and the two make plans to leave England. Before they can depart, one of Milland's former lovers shows up and Todd, in a jealous rage, kills Milland, then turns herself into the police. This is an intriguing film, although a little on the talky side. The performances are excellent throughout, with Milland shining as the cad, the type of role in which he excelled. Though he spent most of his time making films in the US, he occasionally returned to his native England for a production and this was his first British film since FRENCH WITHOUT TEARS in 1939. Director Allen was also an Englishman who chose to work in the US, this being his first directorial effort in his homeland. This was the fourth and last time Milland and Allen would work together, their pairing having begun in 1944 with the wonderfully eerie THE UNINVITED.