6.7 日语 · 2025 · 日本 · 日韩剧
樱田日和,佐野勇斗,北村一辉,志田未来,富田靖子,山口马木也,松尾谕,结木滉星,初夏
二十年前一宗手术，令两名儿科专科实习医生况丛昕（马国明饰）与许甘枫（郑嘉颖饰）决裂。 时日过去，丛昕当上顶尖医院安妮医院的小儿外科顾问医生，而一心捍卫生命的甘枫却于一间二线医院落脚，两人本来各走各路，岂料因一宗肝移植手术而再次碰头，命运亦从此连上。 丛昕施计逼令甘枫加入安妮医院，再找上昔日战友心胸肺外科医生章以芯（锺嘉欣饰）、外科主管麦海琪（周家怡饰）打造出一支完美团队，目的只为拼凑心中蓝图，为兴建香港第一所儿科中心铺路。 经历一个个病童的生死故事，令原本势成水火的丛昕与甘枫逐渐解开心结。 此时，专科医生文柏熙（罗子溢饰）与专科实习医生连卓盈（张宝儿饰）竟发现二十年前的手术竟牵涉一个重大医疗失误，而当中的主刀就是安妮医院附属的东亚大学医学院院长锺怀霜（龚慈恩饰），众人决定将真相揭开
7.0 日语 · 2026 · 日本 · 日韩剧
黑木华 , 野吕佳代 , 松下洸平 , 渡边圭祐 , 仓悠贵 , 今井隆文 , 小雪 , 本上真奈美 , 岩谷健司 , 山口马木也 , 木野花 , 岩松了 , 坂东弥十郎
故事始于一封揭发政治家不正行为的告发信。执政党干事长之女、同时也是秘书的星野茉莉（黑木华 饰）暗中追查真相，却因此被父亲切割，失去工作与容身之所，人生瞬间跌入谷底。走投无路之际，她遇见了性格爽朗、毫无政治经验的小酒馆妈妈桑月冈明里（野吕佳代 饰）。一次突如其来的东京都知事选举，让茉莉萌生念头——推举这个“政治素人”参选。两名背景与性格截然不同的女性就此携手，在权谋与舆论交织的选战中并肩作战，展开一场笑中带泪、热血又另类的“选举娱乐”故事。
5.0 日语 · 2025 · 日本 · 日韩剧
平祐奈,丸山隆平,福山翔大,八村伦太郎,原ふき子,山崎润,山口马木也,梶原善,高桥克典,青木沙耶加,河村ここあ,菊地姬奈,休日課長,ぐんぴぃ,五头岳夫,こーくん,绀野彩夏,佐野岳,新川优爱,田岛亮,中村百合香,波冈一喜,滨津隆之,松浦慎一郎,三河悠冴,宫部望美,六平直政
这是一个破碎的家庭，酗酒的教练父亲帕迪（尼克·诺特 Nick Nolte 饰）家暴妻子，次子汤米（汤姆·哈迪 Tom Hardy 饰）与不堪忍受的母亲远赴他乡；长子布兰登（乔尔·埃哲顿 Joel Edgerton 饰）为了爱情选择留下，并认为从此可以得到父亲的器重与栽培，然而最后父子还是分道扬镳。时隔多年后，汤米带着母亲痛苦死去的悲伤记忆，以及在伊战中的惨痛经历找到父亲，要求后者再度担任自己的教练，以参加MMA的重奖大赛；几乎与此同时，昔日的职业格斗选手、如今的中学物理教师布兰登为金钱所困扰，他不能忍受自己无法为妻女提供庇护，决定重返赛场。在MMA的赛场上，这对分离多年的兄弟将再度聚首，用血与汗的交融，化释彼此的心结……
10.0 日语 · 2025 · 日本 · 日韩剧
平祐奈,丸山隆平,福山翔大,八村伦太郎,原ふき子,山崎润,山口马木也,梶原善,高桥克典,青木沙耶加,菊地姬奈,休日課長,五头岳夫,绀野彩夏,佐野岳,新川优爱,田岛亮,中村百合香,波冈一喜,滨津隆之,松浦慎一郎,三河悠冴,宫
Salomé (1923), a silent film directed by Charles Bryant and starring Alla Nazimova, is a film adaptation of the Oscar Wilde play of the same name. The play itself is a loose retelling of the biblical story of King Herod and his execution of John the Baptist (here, as in Wilde's play, called Jokaanan) at the request of his stepdaughter, Salomé, whom he lusts after. Salomé is often called one of the first art films to be made in the U.S.[citation needed] The highly stylized costumes, exaggerated acting (even for the period), minimal sets, and absence of all but the most necessary props make for a screen image much more focused on atmosphere and on conveying a sense of the characters' individual heightened desires than on conventional plot development. Despite the film being only a little over an hour in length and having no real action to speak of, it cost over $350,000 to make. All the sets were constructed indoors to be able to have complete control over the lighting. The film was shot completely in black and white, matching the illustrations done by Aubrey Beardsley in the printed edition of Wilde's play. The costumes, designed by Natacha Rambova, used material only from Maison Lewis of Paris, such as the real silver lamé loincloths worn by the guards. No major studio would be associated with the film, and it was years after its completion before it was released, by a minor independent distributor. It was a complete failure at the time and marked the end of Nazimova's producing career. A longstanding rumor, which seems to have started while the film was still in production, suggests that its cast is comprised entirely of gay and bisexual actors in an homage to Oscar Wilde, as per star and producer Nazimova's demand. It is, of course, impossible to say, but one of the extras in Salomé reported that a number of the cast members—both featured and extras—were indeed gay, but not an unusual percentage of them, and certainly not all of them. What can be said is that Nazimova herself was a lesbian, the two guard characters (who, next to Salomé, have the most screen time) are at least played very stereotypically gay, and several of the female courtiers are men in drag. Salomé was screened in 1989 at the New York International Festival of Lesbian and Gay films and in 1990 at the New York Gay Experimental Film Festival. In 2000, the United States Library of Congress deemed the film culturally significant and selected it for preservation in the National Film Registry.