7.0 西班牙语 · 2006 · 西班牙 · 科幻片
伊万娜·巴克罗,塞尔希·洛佩斯,玛丽维尔·贝尔杜,道格·琼斯,阿里亚德娜·希尔,亚历克斯·安克吕罗,曼诺罗·索洛,罗杰·卡萨马杰,伊万·马萨格,干沙路·乌里亚特,塞巴斯蒂安·哈罗,Mila,Espiga,Pepa,Pedroche,查尼·马丁,米洛·塔波阿达,费尔南多·阿尔比祖,乔斯·路易斯·托里霍,因尼哥·加塞斯,费尔南多·提尔弗,费德里科·路皮,Eduardo,Aránega,Eusebio,
Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
6.0 英语 · 2009 · 其它 · 恐怖片
阿尔维托·阿玛里利亚,奥娜·卓别林,拉蒂西亚·多瑞拉,杰拉丁·卓别林,弗朗切斯科·卡尔内卢蒂,亚历克斯·安克吕罗,Silvia,De,Santis,市川纯,小桥贤儿,保罗·德·维塔,Francesco,Martino,Matteo,Danese,Franco,Pistoni,Anna,Cuculo,洛伦佐·佩德罗蒂
由于机械生命体的袭击，文明崩溃，星星只剩下沙漠和鬼屋了。少年诺亚为了实现帮助那些仅存的动物的梦想，当时，机械化了身体，在严酷的环境中独自生存下来，并制造方舟。在那里，觊觎从另一个世界来的方舟的天圣凯瑟德。我在诺亚寻找夺取方舟的机会，在触及诺亚的直率和温柔中，在目的和友情之间变得摇摆不定。机器生命体的真面目是什么凯瑟德的决定是——诺亚的梦想会实现吗——