6.0 英语 · 2011 · 英国 · 恐怖片
丽贝卡·豪尔,多米尼克·韦斯特,艾美达·斯丹顿,伊萨克·亨普斯特德-怀特,邵恩·杜里,约瑟夫·马勒,戴安娜·肯特,理查德·杜登,约翰·斯拉普内尔,卡尔·马卡宁奇,露西·科乎,阿纳斯塔西娅·希尔,安德鲁·哈维尔,Tilly,Vosburgh,Ian,Hanmore,史蒂芬·克里,斯派克·怀特,尼古拉斯·阿米尔,尼克·墨菲,Sarah,Weldon
四个大学生来到大屿山攀登，夜晚借宿于山间的一座寺庙，学生们在一名小和尚（张国荣 饰）的招待下，与寺内大师聊了一夜，发现出家人与世人的生活原来很不同。前来游玩的四人只想攀登山的高峰，而出家人追求的是攀登佛理的高峰；出家人想要看破红尘，而大学生们只想要看红日；当男女们在海滩野餐时，主持则在说禅，这一动一静之间，出家人和世人的境界对比鲜明。第二天一早，学生们便离开寺庙继续旅程，而在门前清扫的小和尚，只是微笑目送，心间仿佛拈花有悟…… 《沙之城》属于《岛的故事》电视剧系列第三集。
8.0 英语 · 1959 · 美国 · 恐怖片
加里·格兰特,爱娃·玛丽·森特,詹姆斯·梅森,洁茜·罗伊丝·兰迪斯,里奥.G.卡罗尔,约瑟芬·哈钦森,菲利普·奥伯,马丁·兰道,亚当·威廉姆斯,爱德华·普拉特,罗伯特·艾伦斯坦,莱斯·崔梅恩,菲利普·柯立芝,帕特里克·麦克维,爱德华·宾斯,肯·林奇,马尔科姆·阿特伯里
Young Hunters The Beast of Bevendean is a children's action adventure film, about two boy's hunt for the mysterious creature said to be living in the woods on the edge of town.
9.0 其它 · 2021 · 西班牙 · 恐怖片
哈维尔·雷伊,帕斯·贝加,露娜·馥尔亨西奥,诺玛·马丁内斯,卡洛斯·阿尔坎塔拉,赫苏斯·卡罗萨,艾娃·萨拉查,比森特·贝尔加拉,佩德罗·卡萨布兰科,埃尔薇拉·明戈斯,玛利亚·阿尔方萨·罗索,路易斯·森特诺,马特奥·康德,费尔南多·特赫罗,约瑟夫·维拉
邪恶的宇宙海盗迪恩（胡谦 配音）得到了能够吸收力量的魔石，妄图凭此统治宇宙，天蛇星少主缪斯（李晔 配音）的能量被魔石吸收，性命岌岌可危，为了挽救缪斯，耶里梅斯出发寻找正气之铁，希望能够将它打造成煞魔圣剑，将迪恩彻底打败。 镜头来到棱石星，迪恩的魔爪伸向了这片宁静的土地，为了对抗这股强大的邪恶力量，战神联盟聚集到了一起，然而，迪恩的实力实在过于可怕，雷伊（孙晔 配音）、卡修斯（刘北辰 配音）和布莱克（吴磊 配音）等人接二连三的被吸入魔石之中。最终，盖亚（蒋可 配音）和赛小息（罗玉婷 配音）等人顺利的夺回了魔石，却也引来了迪恩派出的杀手。
6.0 英语 · 1964 · 英国 · 恐怖片
克里斯托弗·李,彼得·库欣,理查德·帕斯科,芭芭拉·谢莉,迈克尔·古德利菲,帕特里克·特罗,约瑟夫·奥康纳,Prudence,Hyman,杰克·沃森,雷德蒙德·菲利普斯,Jeremy,Longhurst,Toni,Gilpin,Joyce,Hemson,Alister,Williamson,Michael,Peake,Fred,Haggerty,萨莉·内斯比特
讲述了SPT先锋小队在帕索尔星帮助麒麟夺回火之翼，麒麟告诉SPT先锋小队去巨石星卡图冈之门自然会找到无尽能源的答案，SPT先锋小队听了麒麟的话，去巨石星找卡图冈之门的事。战神联盟也将登场。盖亚的哥哥瑞尔斯以新形象和重要角色的身份再次登场，本季动画中将有许多新角色登场，麒麟、魔圣尤尼卡、海盗四魔将之一的吉约等新角色登场
5.0 英语 · 2022 · 美国 · 恐怖片
Kim,Abunuwara,Duncan,Anderson,Kyle,Bales,维罗娜·布鲁,Archelaus,Crisanto,Rolando,Davila-Beltran,Dashiell,Derrickson,Tybee,Diskin,Brittany,Gandy,Isabelle,Hahn,Jackson,Kelly,杰西·拉图雷特,泰勒·洛夫顿,Melissa,Macedo,凯利·米
在茂密宁静的仓鸮森林，猫头鹰诺克图斯和妻儿们生活在一棵参天大树的枝干上。她的儿子索伦（吉姆·斯特吉斯 Jim Sturgess 配音）无比迷恋“守护者”的传说。据说很久以前，佩戴着钢喙的邪恶“纯种者”（草鸮）国王压迫猫头鹰子民，关键时刻守护者挺身而出，打败了国王及其爪牙，但失败者从未放弃复仇的念头。憧憬古老传说的索伦令哥哥库鲁德（瑞恩·科万腾 Ryan Kwanten 配音）颇为气恼，以致于被哥哥从树上推下。两只还没学会自由飞翔的小家伙跌落到危机四伏的地面，他们躲避各种猛兽的袭击，却无法避免成为邪恶猎手捕获的目标。兄弟俩连同其他种类的猫头鹰被抓到神秘的圣鸮学校，他们在这里接受严格的训练，学到不同的技能，而猫头鹰王国沉寂已久的战火即将再次点燃…… 本片根据凯瑟琳·拉斯基的经典儿童文学作品改编。
10.0 英语 · 2018 · 美国 · 恐怖片
约翰·赵,米切尔·拉,黛博拉·梅辛,约瑟夫·李,萨拉·米博·孙,亚历克丝·杰恩·高,刘玥辰,刘卡雅,多米尼克·霍夫曼,西尔维亚·米纳西安,梅丽莎·迪斯尼,康纳·麦克雷斯,科林·伍德尔,约瑟夫·约翰·谢尔勒,阿什丽·艾德纳,考特尼·劳伦·卡明斯,托马斯·巴布萨卡,朱莉·内桑森,罗伊·阿布拉姆森,盖奇·比尔托福,肖恩·奥布赖恩,瑞克·萨拉比亚,布拉德·阿布瑞尔,加布里埃尔·D·安吉尔
陆国国君身中剧毒，性命危在旦夕，消失5年的儿子陆尘强势归来，一改以往废柴的人设，摇身一变成为实力强横又多金的存在，只见他不费吹灰之力，拯救陆国于水火之中，动动手指便解除老爹身上的奇毒，究竟是什么让陆尘改头换面？听说是有好几个美女师父？
10.0 英语 · 1997 · 英国 · 恐怖片
哈威·凯特尔,杰森萨尔基,彼得·奥图尔,Guy,Witcher,约瑟夫·梅,安娜·钱斯勒,弗洛伦斯·霍斯,菲比·尼克尔斯,伊丽莎白·厄尔,保罗·麦甘恩,安东·莱瑟,鲍勃·佩克,琳恩·法利,蒂姆·麦克纳尼,彼得·穆兰,比尔·奈伊,Jim,Wiggins,大卫·卡尔德,安东尼·凯尔夫,约翰·格里洛,本杰明·惠特罗,芭芭拉·希克斯,克里斯托弗戈德温,Andrew,Cryer,保罗·帕波维尔,Matild
《德云社全球巡演台北站》是德云社为全球粉丝带来的巡演福利。此站来到了文艺清新的台湾——台北市，当嗲嗲的台湾普通话遇到“京片儿”，会碰撞出怎样的“火花”呢？让我们共同期待！
10.0 英语 · 1949 · 英国 · 恐怖片
约瑟夫·科顿,阿莉达·瓦利,奥逊·威尔斯,特瑞沃·霍华德,伯纳德·李,保罗·赫尔比格尔,厄恩斯特·多伊奇,Siegfried,Breuer,Erich,Ponto,维尔弗雷德·海德-怀特,Hedwig,Bleibtreu,Harold,Ayer,保罗·伯奇,Martin,Boddey,罗伯特·布朗,保罗·卡彭特,Reed,De,Rouen,西奥多·戈特利布,Paul,Hardtmuth,Charl
作品名：映画『イタズラなKiss THE MOVIE～ハイスクール編・キャンパス編・プロポーズ編』【3作品同時制作】 原作：多田かおる(故人)「イタズラなKiss」(集英社「別冊マーガレット」連載作品) 監督・脚本：溝口稔 製作：イタズラなKiss THE MOVIE 製作委員会 配給会社：GAGA 企画・制作：株式会社 ミレ・ファクトリー、株式会社アジアピクチャーズエンタテインメント 公開：ハイスクール編 2016年11月26日～、キャンパス編 2017年1月初旬～、プロポーズ編 同2月頃～予定
6.0 英语 · 2017 · 美国 · 恐怖片
尼古拉斯·凯奇,塞尔玛·布莱尔,安妮·文特斯,兰斯·亨利克森,约瑟夫·D·雷特曼,瑞秋·梅尔文,安吉·威尔莫特,奥利维亚·克劳希奇娅,洛雷娜·迪亚兹,扎克瑞·亚瑟,萨曼莎·莱摩尔,凯蒂·斯图尔特,乔治·格里菲斯,纳撒尼尔·赛兹莫尔,迈克尔·奇克,博昂内·戴维斯,克里斯汀·岱伊
小智（松本莉香 配音）来自真新镇，他的目标是要成为神奇宝贝顶级训练师。在即将展开训练师旅程的一天，因为迟到，他并没有拿到初始的小精灵。大木博士（石冢运昇 配音）见状，便送了一只不愿进精灵球和非常调皮的皮卡丘给这位失落的年轻人。于是，他们俩便踏上了精灵宝可梦的旅程。 在旅途中，他们的之间的隔阂逐渐打破，并认识了同行的伙伴诚子（佐藤刊里 配音）与宗次（本乡奏多 配音），并听到了有关凤王的传说。“受到虹色之羽的引导，见到凤王的人，就会成为彩虹勇士...” 本部剧场版是《神奇宝贝》动画系列的第二十部电影。该部电影的剧情是系列动画第一集《神奇宝贝！就决定是你了！》的改编，描述小智与皮卡丘踏上成为宝可梦大师的冒险之旅。
7.0 英语 · 1963 · 美国 · 恐怖片
文森特·普莱斯,南茜·科沃克,克里斯·沃菲尔德,伊莱恩·迪弗莱,伊安·沃尔夫,斯蒂芬·罗伯茨,Lewis,Martin,Mary,Adams,Edward,Colmans,Nelson,Olmsted,哈维·史蒂芬斯,迪克·威尔逊,Wayne,Collier,Gloria,Clark,Don,Brodie,George,Sawaya,约瑟夫·拉斯金,Sayre,Dearing,斯图尔特·霍姆斯
肖大宝开发出一款神奇的“种梦机”，六个“种梦师”根据顾客不同的需求，构建出虚拟的梦境空间，帮助他们实现现实生活中无法达成的愿望。 黄小奕是一个在感情中没有自我的人，在梦境中变成为自己心中的好男人许仙，用换位思考的方式明白了要如何与爱人相处。 大嘴巴江涛因为多说话没少吃亏，梦境中化身成为需要严格保密的特工，因不能守口如瓶受尽折磨，意识到了什么叫祸从口出。 第三位是赌鬼阿飞要实现成为“赌神”的愿望。梦中经历了拯救爱人，并收获了至理名言：要想永远不输，除非永远不赌！就此金盆洗手。 电竞终极爱好者拓海，想获得体育明星的地位和尊重，在经历了误解、背叛等重重困难，在父亲的鼓励下重拾信心，重新获得了胜利和尊重。
10.0 英语 · 2022 · 美国 · 恐怖片
约瑟夫·阿尔马尼,卡利·埃尔德里奇,迈克尔·帕尔,Natalia,Bilbao,Brian,DeRozan,Christopher,M.,Dukes,Alec,Gaylord,噶尔-叶·李,Matthew,Payne,Elena,Sahagun
主角小野寺律于初中时与嵯峨政宗（后因为父母离婚的关系改名为高野政宗）在图书馆一见钟情，起因是政宗帮他拿到了高处的图书。之后小野寺律从借书处得到了政宗的姓名，并开始借阅他读过的图书、进行各种跟踪行为以加强对政宗的了解。（为了不被发现，谨慎的他在借阅图书时使用了虚假的班级和假名——织田律，这也是高野未能在小野寺律申请就职时便知道其身份的原因）。结果在苦恋三年后，小野寺律由于在图书室借同一本书时碰到嵯峨的手，不知所措之下向嵯峨前辈告白，戏剧性的两人有了一段短暂而深刻的爱恋。由于嵯峨前辈觉得小野寺律傻傻的很可爱，发出一声轻笑（其实是为了掩饰自己的害羞），使双方都误会对方，自此分手。但是冷酷的嵯峨前辈对小野寺律有着很深的爱恋，因为小野寺律一直温暖着嵯峨政宗。
6.0 英语 · 2022 · 美国 · 恐怖片
约瑟夫·温特,梅拉妮·斯通,Jason,K.,Wixom,Pat,Barnett,Marty,Collins,Perla,Lacayo,Cylia,Austin-Lacayo,Hayden,Gariety,Ariel,Lee,Jaxon,Harker,Jeremy,Warner,Brenden,Bytheway,Doug,May,Ruby,York,盖博·卡斯多夫,凡妮莎·温特,杰德·谢帕德
数星星了！由知名配角演员亲自演自己并互动的人气日剧《Byplayers》系列将推出第3季《Byplayers：名配角的森林100日》及电影版《Byplayers：如果100名配角一起拍电影》。 不仅前作主演田口智朗、松重丰、光石研、远藤宪一将回归，还有佐佐木希、志田未来、滨田岳、阿部亮平、柄本时生、高杉真宙等海量明星新加盟，规模浩大！松居大悟也将继续担任导演。 续作故事舞台设定在远离都市、被森林包围的摄影地“Byplaywood”(neta好莱坞)，各电视台在这儿争相拍摄电视剧和电影，于是一场大骚动即将来临。新剧将于2021年1月开播，电影版定于2021年春季上映。
9.0 英语 · 1977 · 美国 · 恐怖片
杰克·南斯,夏洛特·斯图尔特,艾伦·约瑟夫,珍妮·贝茨,小哈尔·兰登
Voice 1 (male professional announcer type) This neighborhood(1) was made for the wretched dignity of the petty bourgeoisie, for respectable occupations and intellectual tourism. The sedentary population of the upper floors was sheltered from the influences of the street. This neighborhood has remained the same. It was the strange setting of our story, where a systematic questioning of all the diversions and works of a society, a total critique of its idea of happiness, was expressed in acts. These people also scorned subjective profundity. They were interested in nothing but an adequate and concrete expression of themselves. Voice 2 (Debord, monotone) Human beings are not fully conscious of their real life - usually groping in the dark; overwhelmed by the consequences of their acts; at every moment groups and individuals find themselves confronted with results they have not wished. Voice 1 They said that oblivion was their ruling passion. They wanted to reinvent everything each day; to become the masters and possessors of their own lives. Just as one does not judge a man according to the conception he has of himself, one cannot judge such periods of transition according to their own consciousness; on the contrary, one must explain the consciousness through the contradictions of material life, through the conflict between social conditions and the forces of social production. The progress achieved in the domination of nature was not yet matched by a corresponding liberation of everyday life. Youth passed away among the various controls of resignation. Our camera has captured for you a few aspects of a provisional microsociety. The knowledge of empirical facts remains abstract and superficial as long as it is not concretized by its integration into the whole ” which alone permits the supersession of partial and abstract problems so as to arrive at their concrete essence, and implicitly at their meaning. This group was on the margins of the economy. It tended toward a role of pure consumption, and first of all the free consumption of its time. It thus found itself directly engaged in qualitative variations of everyday life but deprived of any means to intervene in them. The group ranged over a very small area. The same times brought them back to the same places. No one went to bed early. Discussion on the meaning of all this continued... Voice 2 Our life is a journey ” In the winter and the night. ” We seek our passage...� Voice 1 The abandoned literature nevertheless exerted a delaying action on new affective formulations. Voice 2 There was the fatigue and the cold of the morning in this much-traversed labyrinth, like an enigma that we had to resolve. It was a looking-glass reality through which we had to discover the potential richness of reality. On the bank of the river evening began once again; and caresses; and the importance of a world without importance. Just as the eyes have a blurred vision of many things and can see only one clearly, so the will can strive only incompletely toward diverse objects and can completely love only one at a time. Voice 3 (young girl) No one counted on the future. It would never be possible to be together later, or anywhere else. There would never be a greater freedom. Voice 1 The refusal of time and of growing old automatically limited encounters in this narrow, contingent zone, where what was lacking was felt as irreparable. The extreme precariousness of the means of getting by without working was at the root of this impatience which made excesses necessary and breaks definitive. Voice 2 One never really contests an organization of existence without contesting all of that organization's forms of language. Voice 1 When freedom is practiced in a closed circle, it fades into a dream, becomes a mere representation of itself. The ambiance of play is by nature unstable. At any moment ordinary life� can prevail once again. The geographical limitation of play is even more striking than its temporal limitation. Any game takes place within the contours of its spatial domain. Around the neighborhood, around its fleeting and threatened immobility, stretched a half-known city where people met only by chance, losing their way forever. The girls who found their way there, because they were legally under the control of their families until the age of eighteen, were often recaptured by the defenders of that detestable institution. They were generally confined under the guard of those creatures who among all the bad products of a bad society are the most ugly and repugnant nuns. What usually makes documentaries so easy to understand is the arbitrary limitation of their subject matter. They describe the atomization of social functions and the isolation of their products. One can, in contrast, envisage the entire complexity of a moment which is not resolved into a work, a moment whose movement indissolubly contains facts and values and whose meaning does not yet appear. The subject matter of the documentary would then be this confused totality. Voice 2 The era had arrived at a level of knowledge and technical means that made possible, and increasingly necessary, a direct construction of all aspects of a liberated affective and practical existence. The appearance of these superior means of action, still unused because of the delays in the project of liquidating the commodity economy, had already condemned aesthetic activity, whose ambitions and powers were both outdated. The decay of art and of all the values of former mores had formed our sociological background. The ruling class's monopoly over the instruments we needed to control in order to realize the collective art of our time had excluded us from a cultural production officially devoted to illustrating and repeating the past. An art film on this generation can only be a film on its absence of real creations. Everyone unthinkingly followed the paths learned once and for all, to their work and their home, to their predictable future. For them duty had already become a habit, and habit a duty. They did not see the deficiency of their city. They thought the deficiency of their life was natural. We wanted to break out of this conditioning, in quest of another use of the urban landscape, in quest of new passions. The atmosphere of a few places gave us intimations of the future powers of an architecture it would be necessary to create to be the support and framework for less mediocre games. We could expect nothing of anything we had not ourselves altered. The urban environment proclaimed the orders and tastes of the ruling society just as violently as the newspapers. It is man who makes the unity of the world, but man has extended himself everywhere. People can see nothing around them that is not their own image; everything speaks to them of themselves. Their very landscape is alive. There were obstacles everywhere. There was a cohesion in the obstacles of all types. They maintained the coherent reign of poverty. Everything being connected, it was necessary to change everything by a unitary struggle, or nothing. It was necessary to link up with the masses, but we were surrounded by sleep. Voice 3 The dictatorship of the proletariat is a desperate struggle, bloody and bloodless, violent and peaceful, military and economic, educational and administrative, against the forces and traditions of the old world. Voice 1 In this country it is once again the men of order who have rebelled. They have reinforced their power. They have been able to aggravate the grotesqueness of the ruling conditions according to their will. They have embellished their system with the funereal ceremonies of the past. Voice 2 Years, like a single instant prolonged to this point, come to an end. Voice 1 What was directly lived reappears frozen in the distance, fit into the tastes and illusions of an era, carried away with it. Voice 2 The appearance of events that we have not made, that others have made against us, now obliges us to be aware of the passage of time, its results, the transformation of our own desires into events. What differentiates the past from the present is precisely its out-of-reach objectivity; there is no more should-be; being is so consumed that it has ceased to exist. The details are already lost in the dust of time. Who was afraid of life, afraid of the night, afraid of being taken, afraid of being kept Voice 3 What should be abolished continues, and we continue to wear away with it. We are engulfed. We are separated. The years pass and we haven't changed anything. Voice 2 Once again morning in the same streets. Once again the fatigue of so many similarly passed nights. It is a walk that has lasted a long time. Voice 1 Really hard to drink more. Voice 2 Of course one might make a film of it. But even if such a film succeeds in being as fundamentally disconnected and unsatisfying as the reality it deals with, it will never be more than a re-creation ” poor and false like this botched traveling shot. Voice 3 There are now people who pride themselves on being authors of films, as others were authors of novels. They are even more backward than the novelists because they are unaware of the decomposition and exhaustion of individual expression in our time, ignorant of the end of the arts of passivity. They are praised for their sincerity since they dramatize, with more personal depth, the conventions of which their life consists. There is talk of the liberation of the cinema. But what does it matter to us if one more art is liberated through which Tom, Dick or Harry can joyously express their slavish sentiments The only interesting venture is the liberation of everyday life, not only in the perspectives of history but for us and right away. This entails the withering away of alienated forms of communication. The cinema, too, has to be destroyed. Voice 2 In the final analysis, stars are created by the need we have for them, and not by their talent or lack of talent or even by the film industry or advertising. Miserable need, dismal, anonymous life that would like to expand itself to the dimensions of cinema life. The imaginary life on the screen is the product of this real need. The star is the projection of this need. The images of the advertisements during the intermissions are more suited than any others for evoking an intermission of life. To really describe this era it would no doubt be necessary to show many other things. But what would be the point Better to grasp the totality of what has been done and what remains to be done than to add more ruins to the old world of the spectacle and of memories. 1. This film, which evokes the lettrist experiences at the origin of the situationist movement, opens with shots of the Paris district frequented by the lettrists in the early 1950s.
9.0 其它 · 2019 · 其它 · 恐怖片
西蒙·弗鲁威思,保罗·福尔曼,约瑟夫·哈德,沃尔夫冈·许布施,安东·诺里,马库斯·施莱泽,卡尔·阿克利特纳,米伦娜·尼科利克
我的人生是无色透明的。在与日野真织相遇之前——。 被同班同学煽动，对她设计了的谎言的告白。但是她以“彼此都真心不喜欢”为条件接受了告白。 就这样开始了虚假的恋爱。不久之后，当它不再是谎言的时候--我知道。 “我病了。你说忘了，晚上睡觉就忘了。一天中发生的所有事情” 与每天都失去记忆的她，每天积累着仅限一天的恋爱。但是那个突然宣告结束……。 本片改编自同名小说，女主角真织因为患上疾病，每天都会失去记忆，男主角小透以一次虚假的告白为契机，决定守护真织的幸福。电影描述了他们之间感人的恋情。本片将于7月29日在日本上映。道枝骏佑、福本莉子将双主演电影《即使今夜，这段恋情将从世上消失》，这是他们在《消失的初恋》后再次搭档，也是道枝骏佑的首部主演电影。
9.0 英语 · 2022 · 美国 · 恐怖片
黛西·埃德加-琼斯,塞巴斯蒂安·斯坦,乔尼卡·T·吉布斯,夏洛特·勒·邦,安德丽亚·邦,戴奥·奥柯奈伊,布瑞特·迪尔,阿丽娜·马里斯,威廉·贝勒,Lachlan,Quarmby,Sunghee,Lapell,Arghavan,Jenati,安东尼·英格拉姆,Frances,Leigh,Lance,Birley,约瑟夫·M·科斯塔
半年前，踌躇满志的青年大根田真男（小池徹平 饰）进入黑井系统公司工作，他曾经中途退学窝在家中啃老，后自学编程并拿到相关国家资格证书，从此立志成为一名优秀的编程师。可是刚进公司的第一天，他便发现这里的气氛怪异非常。组长阿部道大（品川祐 饰）专横跋扈，不可一世，才能有限还经常推诿责任；其他同事要么态度冰冷，要么疲于奔命，要么圆滑处世；公司各项规章制度形同虚设。“莫非我进入了一家没有前途的黑公司？”上得贼船，脱身可就没那么简单了。真男迫不得已成为工作的奴隶，朝着承受的极限痛苦迈进…… 本片根据黑井勇人的同名原作改编。
7.0 英语 · 2019 · 其它 · 恐怖片
比尔·哈琴斯,约瑟芬·斯坎迪,乔安娜·希雅,Brutius,Selby,Nicholas,Vince,Silvio,Pollio,Sean,James,Sutton,Matthew,T.,Reynolds,Kelly,Chen,Nella,Scott,Francesco,Roder,Alan,Cossettini,Daniele,Banovaz,Enrico,Clarin,Nathaniel,Je
《德云社郭德纲跨年相声专场北展站 2019》德云社带领着一大批优秀的青年相声演员为观众带来精彩的相声演出，打造不一样的趣味晚会。
9.0 英语 · 2016 · 加拿大 · 恐怖片
帕特里克·威尔森,维拉·法米加,麦迪逊·沃尔夫,弗兰西丝·奥康纳,劳伦·埃斯波西托,本杰明·海格,帕特里克·麦考利,西蒙·迈克伯尼,玛丽亚·多耶·肯尼迪,西蒙·德兰尼,弗朗卡·波滕特,鲍勃·阿德里安,罗宾·阿特金·唐斯,邦妮·阿伦斯,哈维尔·博泰特,斯蒂芬·考特尔,艾比·森哈,斯特林·杰里斯,约瑟夫·比沙拉,艾米丽·塔斯克,凯特·库克,山农·库克
张九龄、王九龙，是德云社冉冉升起的两颗新星。龄龙不仅专业能力越来越强，形象管理也越发到位。两位九字科小先生，是同一天拜师的，现为德云三队、德云三宝B组成员，虽然都是90后但入行很早，表演风格活泼讨喜。这次张九龄和王九龙将一起来到上海，2019张九龄王九龙上海相声专场是一场汇聚说学逗唱乐，大胆、创新改编，汇聚的相声集结。
7.0 英语 · 1945 · 美国 · 恐怖片
尼娜·弗彻,梅·惠蒂,乔治·麦克雷迪
一位执行任务的八路军同志宋亮造到了一队日本兵的伏击受伤，附近村子里的几位年轻人将其救回到村子里精心救治，日本兵进村搜查，全村人勇敢的保护宋亮，最终宋亮和村民们合力剿灭了日本兵。
6.0 英语 · 2016 · 加拿大 · 恐怖片
Colin,Price,阿莉莎·金,格温琳·库门,丹尼斯·安德瑞斯,George,Krissa,哈姆扎·福阿德,Alex,Loubert,Mary-Elizabeth,Willcott,Craig,Cyr,Tom,Marasovic,Dwayne,Bryshun,Samantha,Cole,Blair,Anderson,海莉·基特尔,Emma,Chwastiak,Will,Clubb,约瑟夫·卡纳
《色》汤姆医生（Ted Yudain 饰）提取眼睛中的信息素后滴入自己的眼里，可以见到他人所见之物，他打算用这个办法教训女患者艾米（Debra Jans 饰）的暴力男友，但事与愿违； 《声》一首诞生于20世纪70年代的杀人钢琴曲成为传说，几名年轻人决定根据现有素材再现这支受诅咒的曲子； 《香》人生不甚得意的废柴西斯·凯尔（Corey Scott Rutledge 饰）遇见了一个奇怪的推销员玛格丽特（Hilary Greer 饰），这个粉衣女子给他一瓶能让自己受欢迎的香水，他的人生有了奇妙的转变； 《味》黑客华特华斯（Doug Roland 饰）来到一栋气氛诡异的机构应聘，面对美艳的女主管，他原本打算拒绝，谁知自己竟没有拒绝的权利； 《触》一家三口遭遇车祸，父母身受重伤，双目失明的男孩汉瑞（Caleb Barwick 饰）必须依靠摸索寻求救助，他却进入一个禁断之地。
10.0 英语 · 2019 · 美国 · 恐怖片
杰瑞米·金,诺阿·西甘,托尼·特拉克斯,蔡斯·威廉逊,巴伦·沃恩,佐伊·格瑞艾姆,Byron,Brown,Chelsey,Grant,Luxy,Banner,约瑟芬·麦克亚当,Aaron,D.,Alexander,约翰·布鲁姆,艾伦·麦克里奥德,乔斯琳·德波尔,梅兰妮·米尼奇诺
An old storyteller tries to convince her grandson that Death no longer exists. Her story will bring back to life the extraordinary people who, by using incredible tricks, will eliminate Death that threatens them.
5.0 英语 · 1960 · 美国 · 恐怖片
乔纳森·海兹,杰姬·约瑟夫,梅儿·威尔斯,迪克·米勒,杰克·尼科尔森
这座城市出现了一名绰号“Blitz”的连环杀人魔，他神出鬼没地杀害多名警官，而他的凶器只是一把锤子。没人知道他的踪迹，而他也因作案手法老练而使警方难以破案。嚣张的他更在每次作案前后都会和某报社负责犯罪版块的编辑邓洛浦（大卫·莫瑞瑟 David Morrissey 饰）报告杀人的细节，从而追求社会的关注。邓洛浦为了自己出名而没有通知警方，每次都能让警方试图封锁消息的计划破灭，也因此被警方注意。 个性容易冲动火爆的警察布兰特（杰森·斯坦森 Jason Statham 饰）因正义感太强殴打嫌疑犯，屡次遭投诉、上报纸，上司颇为恼火。这一次，布兰特奉命追查这名凶手，面对凶残狂妄凶手的放肆挑衅，他决定要靠自己的双手，为这个社会伸张正义......